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Literature & Fiction |
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The Northern Clemency
written by Philip Hensher
Studio : Knopf
by Knopf
Release Date : 2008-10-30
Publisher : Knopf
Released : 2008-10-30
Availability : Usually ships in 1-2 business days
Number of Items : 1
EAN : 9781400044481
Avg. Customer Rating: (based on 6 reviews)
List Price : $26.95
Our Price : $12.50
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Product Description |
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The award-winning author of The Mulberry Empire brings us a sweeping chronicle of ordinary lives profoundly shaped by both the subtleties of everyday experience and the larger forces of history.
In 1974, the Sellers family is transplanted from London to Sheffield in northern England. On the day they move in, the Glover household across the street is in upheaval: convinced that his wife is having an affair, Malcolm Glover has suddenly disappeared. The reverberations of this rupture will echo through the years to come as the connection between the families deepens. But it will be the particular crises of ten-year-old Tim Glover—set off by two seemingly inconsequential but ultimately indelible acts of cruelty—that will erupt, full-blown, two decades later.
These lives unfold against the vividly rendered backdrop of twentieth-century England at the dawn of the Thatcher era: prosperity for some and disenfranchisement for others, which will have a drastic impact on both families.
Expansive and deeply felt, The Northern Clemency shows Philip Hensher to be one of our most masterly chroniclers of modern English life, and a storyteller of virtuosic gifts. |
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Jas-store.com Review |
Jas-store Best of the Month, November 2008: The Northern Clemency begins at the perimeter of a late-summer party, amidst a din of neighbors gossiping one moment and navigating awkward silences the next. But once you encounter the Glover family--in particular, their languidly handsome teenage son Daniel--there's no turning back. The story that follows calls to mind novels by some of our best-loved family chroniclers--John Updike and Jonathan Franzen, to be sure, as well as Ian McEwan and Anne Tyler--and Hensher wrestles with the familiar notions of love and fidelity in ways that are appreciably unpredictable. His characters observe themselves and the ones closest to them in earnest, revealing facts and fallacies of their ordinary lives that make them extraordinarily real people to the reader. Hensher's style (which earned him a spot on the Man Booker Prize shortlist) is among the many qualities that make this novel shine. It's wonderfully paced with language so beautiful and brutally honest that you'll find it hard not to start furiously underlining passages, particularly those about the city of Sheffield, whose families witness "the last phase of its industrial greatness" in 1974 and begin to experience the intensifying class wars that ensue. Though finely tuned to this point in time, and the following two decades, The Northern Clemency rings with the universal truth that family makes no sense, and yet makes all the sense in the world. --Anne Bartholomew
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Sumptuous rolling novel... |
This book, like a warm duvet on a cold winter's day, is a novel you can curl up with and feel all cozy as you settle into it. |
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Ordinary lives.... |
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This book was a bit hard to get into and you have to make an effort to sit down and get into it, but in the end it is worth the effort. It is the story who of two families that are neighbors in a Sheffield, England suburb-the Sellers and the Glovers. Over three decades, from the mid 1970s to the mid 1990s the book follows the day to day events of these two families, both the adults and the children. For some the minute of these seemingly ordinary events could be boring, but once I got into the story and the characters I was pulled in and found it an engaging read. It is not a book built around sex or violence, but the day to day lives of real people. What makes the book engaging is how the reader follows the lives of the characters and witnesses them progress, mature as their views change. For this reason the book maybe more interesting to those of us over forty, who have seen similar changes in ourselves; then again it would be a more important read for those under 30 so they know what to expect. The book is a bit long at over 700 pages and I did not like the structure of having no chapters, it made it hard to find a good stopping point; but maybe that was the authors point? Life offers no stopping point? Overall rating is a solid 4 stars. |
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Ordinary life made extraordinary |
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Don't let some of the words used to describe "The Northern Clemency," words like "epic," "rambling," or "stream of consciousness," discourage you from taking up this wonderful novel. It is none of these things. Certainly it is the complicated and intricate story of two English families, a story that is set mostly, but not entirely, in Sheffield, and extends from the Thatcher years to a time not far from the present. The members of the two families, the Sellerses and the Glovers, total nine characters, each of whom is gradually but fully developed, so the novel does, at first, feel like a Russian novel, except that there is no handy list of characters inside the front cover for consultation. So it's best to read this book when you have a little time, and slowly you'll be drawn in, until you can't put the book down. The novel does not ramble. It is intricately plotted, and even when it ranges as far abroad as Australia, its events seem natural and inevitable. As for "stream of consciousness," no, no, no. "Ulysses" it isn't---except in the sense that the writing is wonderful. In some ways, it will remind you of a John Updike novel in its evocation of the humble quotidian beauty of life in a suburb where people eat Coronation Chicken and fish pie, shop for groceries at the Gateway, and buy their children's school uniforms at Cole's. What's unusual about this novel is its sense of mystery. The two couples at the center of the novel, Katherine and Malcolm Glover and Alice and Bernie Sellers, have marriages that are complicated but somehow familiar in their arguments, joys, and disappointments. But who can account for the ways in which children spin away from their parents in ways unpredictable and strange? How do parents produce children whose only links to each other seem to be their last names and their DNA? It happens all the time, of course. With the phrase "So the garden" the ending of the novel circles back to its beginning. When I finished reading, I turned back to the opening pages, and in looking at the names of the characters, whose fate I now knew, I realized that I would read this book all over again. |
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interesting family drama during the Thatcher Era |
In 1974, the Sellars brood leaves hip London for suburban ennui in Sheffield in the inappropriately named South Yorkshire as they trek to the north. The two Sellars sisters, reticent Francis and extroverted Sandra are concerned that life in the burbs will prove boring as the former loves music and the latter loves swinging London.
Their neighbors, the Glover family consists of two parents and three kids. Patriarch Malcolm is outraged when he finds evidence that his wife Katherine is having an affair. As for the children, bookworm Jane conceals from everyone she is writing a novel; Daniel's brain consists of one icon sex with any carbon bearing species; and the youngest preadolescent Tim is friendlier with snakes than people.
One decade later, the kids are away from home either at universities or working. The empty nest syndrome is compounded with employment issues for the older generation as their hobs die and the new economy begins to shape everyone. Into the nineties, the children as adults live around the world, but come home as often as they can seek solace.
This is an interesting family drama that showcases two families during the Thatcher Era. Each of the ensemble cast is fully developed as readers see them all from multiple perspectives. Although the story line is extremely passive, fans will relish this deep character study of two generations struggling in different ways to survive the Conservative period, a time of technology and dramatically changing globalization (Thomas Friedman's The World Is Flat comes to mind although much of his treatise occurs after the events of THE NORTHERN CLEMENCY) in which the older generation feels hopelessly lost and left behind and their offspring disillusioned and unhappy.
Harriet Klausner
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Less gormless than it seems |
"The Northern Clemency" by Philip Hensher is an oddity, that's for sure. Following the doings (or, more accurately, non-doings) of a couple of families living in the suburbs of the Northern England (former) steel-making city of Sheffield, from the early 1970s into the 1990s, it is presented almost as a stream of consciousness, hopping from person to person or family to family as it follows its own particular narrative threads from scene to scene. It is hard to really grasp just who (or what) is meant to be at the centre of this epic rambling tale. Perhaps it's not the characters, or the places themselves, so much as the periods, especially the mid 70s and also the Maggie Thatcher years (especially the period of the Miners' Strike) which are quite effectively evoked, although sometimes a little out in the fine details.
The book is organised as just five chapters (or four and a half, if you take the author's numbering literally) which together span a massive 700-odd pages of narrative, with the action largely centred in Sheffield but also spilling out into London and, in the later pages, Sydney, Australia. Although born in London, Hensher himself spent his school and adolescent years in Sheffield at about the time portrayed in the first part of this book and it is easy to believe that some of this may indeed be semi-autobiographical. If so, one cannot help feeling that the author's memory is rather less than perfect, though, and also that the story is influenced as much by literary expedience as it is by actual experience. Parts of the tale are, if not wholly surreal, then nevertheless somewhat dream-like and much of it left me feeling very unsettled indeed. And while I recognised some aspects of the places and times in which I also grew up, there are also large chunks which are entirely unfamiliar to me and which I simply do not recognise at all. Or else are simply too stereotyped to be believable as anything other than cyphers.
Ultimately, I suspect, the book is about nothing so much as the ordinariness of everyday people (pointed up through the unstated but implicit observation that even "ordinary" people can have something quite extra-ordinary about them if only one looks carefully enough). And although nothing much really happens in this book (and some of the happenings are left frustratingly unresolved, or else simply fizzle out in unexpected and disappointing ways) it is easy to be drawn in and to be drawn along with the flow, simply to experience that flow, rather than out of any great desire to carried somewhere in particular.
Which, I suppose, makes it a lot like life itself. |
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